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"Un jour nous comprendrons que la poésie n’était pas un genre littéraire mal vieilli mais une affaire vitale, la dernière chance de respirer dans le bloc du réel."
Un assassin blanc comme neige  - Christian Bobin (via esseuleedeguermantes)
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vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
vogueandrogyny:

Digital Artefacts by Bart Hess presented at Architecture Triennale in Lisbon: ”A body plunges into the liquid; a crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer.”

"Our bodies are end­lessly photographed, monitored and laser scanned with millimetre precision. From this context of surveillance, facial recognition, avatars and virtual ghosts, we imagine a near future where digital static, distortions and glitches become a new form of ornament. For the youth tribes of future perfect the body is a site for adaption, augmentation and experimentation. They celebrate the corrup­tion of the body data by moulding within their costumery all the imperfections of a decaying scan file. Shimmering in the exhibition landscape is a network of geometric reflec­tive pools of molten wax. Their mirrored surface is broken by a body, suspended from a robotic harness, plunging into the liquid. A crust of wax crystallises around its curves and folds, growing architectural forms, layer by layer, like a 3D printer drawing directly onto the skin. Slowly the body emerges, encased in a dripping wet readymade prosthetic. It is a physical glitch, a manifestation of corrupt data in motion, a digital artefact. They hang from hooks like a collection of strange beasts and frozen avatars. body prints, imperfect and distorted and always utterly unique." - Bart Hess via
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warm-millk:

♡♡♡
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"I dream. Sometimes I think that’s the only right thing to do."
Haruki Murakami  (via ma-demoiselle-cherie)
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artemisdreaming: Miki Orihara Photograph © Albert Watson, 2010
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zeroing:

Harry Callahan
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red-lipstick:

M Lucia aka Lúcia P aka M Lucia Peralta (Portugal) - Water Poems, 2014 Photography
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themetropolitanline:

A study in motion featuring two dancers from the Joffrey Ballet, made with a Polaroid SX-70 camera, 1972.
Photo: Co Rentmeester for LIFE.
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ellaphoa:

lamorbidezza:

Comme des Garcons Spring 2012 Details

A blog of vintage, lace, elegance.
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stormtrooperfashion:

Fresh Looks: Anuszka Konieczna in “The Garden of Paper Delights” by Tomek Jankowski